Free Digitech Rp200 Patch Library Programs
The built-in expression pedal lets you control your choice of parameters when performing live onstage. The Drum Machine is a great tool for improving your timing, rehearsing different musical styles, or just jamming with friends. The Drum Machine plays sampled drum beats in an infinite loop allowing you to select different patterns, change tempo, and adjust the volume level. And the Chromatic Tuner lets you quickly check or tune your instrument to one of 4 different tuning references. Input 1/4' TS Output 1 - 1/4' Stereo TRS A/D/A 24 bit Delta Sigma Power Supply 9 VAC, 1.3A (PS0913B) Power Consumption 6.8 Watts Preset Memory 40 User Artist/40 Factory Artist/40 Factory Effects Pickup Simulator,Wah, Compressor,Amp Modeling,Acoustic Guitar Simulator, 3 band EQ, Noise Gate, Cabinet Modeling, Mic Placement, Chorus, Flange, Phaser,Tremolo, Panner,Vibrato, Rotary Speaker,AutoYa™,YaYa™, SynthTalk™, Enveloped Filter, Pitch Shift, Detun Drum Machine 30 Patterns Simultaneous Effects up to 11 Dimensions 8.5' L x 10' W x 2.25' H 设备重量 3 lbs.
Check out the Sounds Here’s a short clip of us playing a Bottle o’ Blues mic into our RP355 running a blackface deluxe amp model with slapback delay and reverb, recorded live with no editing, overdubs, or post-recording processing. Sure sounds like the real deal to us Want more? This is the low end of our patch set line, and we think the thing sounds amazing. Still more, you say? How about Dat’s all we got, man, hope it’s enough for ya Actually, just about every piece I’ve recorded anywhere in the last few years came through a Digitech RP first, so if you want to hear more of the RP in action, check out We make it easy Each patch set ships with a full set of documentation that describes every patch in the bulk load set, with single patches organized by sound category (such as FX, Blues, Clean, Pitch, and so on).
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Pressing both Footswitches together will bypass the currently selected Preset. Pressing and holding both Footswitches will access the Tuner. Store - The Store button is used to save your custom edits to the user Presets.
What’s a Huntersounds patch set for Digitech RP? One of the following Digitech devices: RP200/200A, RP150. By hand or by using Digitech’s utility program.
This product is emailed as a zip file. All our Versions are current, we add them as Richard sends us revised versions.
Check out the Sounds Here’s a short clip of us playing a Bottle o’ Blues mic into our RP355 running a blackface deluxe amp model with slapback delay and reverb, recorded live with no editing, overdubs, or post-recording processing. Sure sounds like the real deal to us Want more? This is the low end of our patch set line, and we think the thing sounds amazing. Still more, you say? How about Dat’s all we got, man, hope it’s enough for ya Actually, just about every piece I’ve recorded anywhere in the last few years came through a Digitech RP first, so if you want to hear more of the RP in action, check out We make it easy Each patch set ships with a full set of documentation that describes every patch in the bulk load set, with single patches organized by sound category (such as FX, Blues, Clean, Pitch, and so on). All sets ship with a full set of instructions that tell you how to load the patches into your RP and set the RP up for performance.
B:It was gonna be cheap. If you're in need of a processor, these things are all over eBay. For somebody who's into thrash and other 80's based metal, this thing is absolutely AWESOME. The pre-amps give you pretty decent selection, and with tube distortion, it'll make any guitar with humbuckers sound like an Explorer or comparable fat sounding-guitar. The grunge pre-amp is perfect for any 80's metal, unless you're trying to get the 'Kill Em' All' sound, which the Sat. Setting covers perfectly.
Finally, we provide email support for our users. Our goal is to get you up and running with your RP, making great music, as quickly and easily as possible. At this point, we ask that you read some related to the patchset.
I use it with an Epiphone Les Paul and a PRS Santana SE and the sound is very satisfying. The sound is great with a Club Reverb amp. It's excellent in a stereo setup with two amps. The sound color might be old and not trendy anymore, but it has a proven quality. OVERALL OPINION Right now the main assets of this footboard are the clean sound and the effects. The distortion sound is not so good in spite of the preamp tube. Compressor, EQ and speaker simulation effects are not on the same level as modern effects anymore.
Connect from the outputs of the RP2000 to the channel inputs of the mixing console. • Section One - Introduction About the RP2000 The Presets Presets are numbered locations of programmed sounds which reside in the RP2000. Presets can be recalled with the Footswitches or the Data Wheel.The RP2000 comes with 64 Factory and 64 User Presets available.The Factory Presets will not allow you to store any changes to them.The User Presets are locations where your creations may be stored. • Section One - Introduction The Bank and Control switches are located on the upper tear. In Preset mode, the Bank switch will advance Banks with single presses or reverse Banks if held down.
It comes with experience but good SOUND QUALITY The sound is there light at the distortion and clean, as is used on the other hand effects, sound tends to lose its heat (requires digital). But for the price there is no better => see & 6 pitiful level distortion.
USE - Is it easy to make settings? 2 footswitches to change bank or program, 4 other footswitches to change program or activate/deactivate one of the 4 effects, to program effects you have other buttons. - Is it easy to edit sounds or effects? It offers many more possibilities than I had thought, it's pretty complex, the parametric EQ is a pain to use. SOUND QUALITY - Are the effects effective, do they suit your application, do they sound real enough? Let's see: Good effects: Chorus, tremolo, phaser, harmonizer, wha-wha, reverb Bad effects: Bend and whammy (to be honest, I don't like them) Each has different types of effects (7 wahs, 8 reverbs.), the harmonizer is full. The preamp section is not bad in terms of sound, half of the preamp sounds benefit from the tube.
(No drivers are required for the Mac–it just recognizes the device.) If you’ve ever installed any kind of software on your computer before, then you probably know how to do this. If not, then you need to get someone to help you. Anyone who’s moderately skilled in using their computer should be able to guide you through the process, which takes less than 10 minutes if you know what you’re doing. WE DO NOT PROVIDE BASIC COMPUTER SUPPORT. You do NOT need an external preamp for input to the RP. The RP will work fine with a mic at the input. You do NOT need a direct box (DI) to connect the RP to your amp or PA unless the cable run from the RP is longer than 50 feet (20 meters).
• A Guided Tour of the RP200 The Front Panel. Footswitches - These 2 Footswitches are used to select Presets, access the Tuner, or bypass the RP200.The Footswitch on the right will increase, and the Footswitch on the left will decrease the selected Preset.
It really is a great piece of equipment once you give it a chance. It really allows the user a lot of versitility. If it was just a little more rugged with better pedal action and stronger micro-switches it would really be great.
When creating or editing a sound, you must first start with one of the User or Factory Presets. It is not possible to start with a completely empty Preset.The Preset number does not necessarily need to be the. • When the stored value of a Parameter is changed, the Store LED will light indicating that you need to store the changes. Changing Presets, or turning the power off before storing any changes will erase any changes made and the RP200 will revert to the stored values for the Preset. • Storing/Copying/Naming a Preset Once the Preset has been modified to your liking, you may store your settings to any of the 40 User Preset locations (Presets 1-40). The following steps outline the procedure for storing changes to a Preset or copying a Preset to a different location: 1.
It is possible to convert patches from one of these devices to another, by hand or by using Digitech’s utility program, but there are three good reasons not to: 1) It’s a violation of your license to use the patches, which is specific to the device you ordered the patches for. 2) You won’t get your year of free updates for the other device, so you’ll have to do conversions every time we send out a patch update. 3) There is no way to do an automated bulk load conversion from one device to another, so you’ve got to do the conversion patch by patch, which takes lots of time. If you’d like to do a crossgrade from one device to another, contact us. Q: What styles of music will this patch set work for? A: You name it.
Basically it's the type of effects processor that you can totally intentionally abuse. An incredible effects processor for the price.
If you have the space onstage and the money for an RP500, that’s what we’d go with; in fact, it’s what we do go with whenever we can. Buying used from a reputable dealer helps reduce the cost difference too. Digitech RP355 Our third choice would be an RP355 or a used RP350, which has almost all the features of the RP355.
It has a lot of good parameters, and the EQ Bands work well also so you can get it the way you want it.It has great echo effects that have multiple tape delay parameters, so you can get your echo just right too. The other effects are all awesome too and are your ussall array and all can be foot switched off and on. Theres not really much not to like about this unit it really handles it all once you get used to it. Oh I forgot it also has a 12 sec recorder so you can repeat that lead over and over on the play along mode, not to mention you can slow it down to I think its a 1/4 speed and in increments back up to full speed without loosing the tuning due to the slower speeds. Last but not least the tuner is right on even tho it doesn't use a visual meter but works well in dark places, when the red lights turn green your in!! It was just what I wanted and more!
Simply use the Footswitches to select the Preset that you want to copy, then follow the steps listed above. Press the Select button at any time to abort the Store procedure. • Each Effect within the RP200 can be programmed to suit your personal tastes and application.
• MODELING PICKUP MODELING MODELING GUITAR ACOUSTIC EFFECT MODELING SYSTEM CABINET MODELING EFFECTS TALKER™ RHYTHM TRAINER LEARN-A-LICK™ USER’S GUIDE DIGITAL OUTPUT. • Warning For your protection, please read the following: Water and Moisture: Appliances should not be used near water (e.g. Near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc.) Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.
The 6-character display and knob-matrix based user interface provide simple, straight-forward editing. Up to 3 adjustable parameters per effect give you the flexibility to create the exact sound you're looking for.
Sandy Parkway Sandy, Utah 84070, USA Date: October 16,2000 European Contact: Your local DigiTech / Johnson Sales and Service Office or Harman Music Group 8760 South Sandy Parkway Sandy, Utah 84070 USA Ph: (801) 566-8800. • In no event shall Digitech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control. • Ya Ya™.22 Making Connections.6 Auto Ya™.23 Mono Operation.6 SynthTalk™.23 Stereo Operation.7 Envelope.23 Applying Power.8 Detune.24 About the RP200.9 Pitch Shift.24 The Presets.9 Whammy™.24 Performance Mode.9 Delay.25 Bypass Mode.9 Reverb.26 Tuner Mode.10 Section Four - Other Functions Section Two - Editing Functions Rhythm Trainer.27.
All three EQ parameters range from -12dB to +12 dB. • Gate Type - The Parameter 2 knob selects between the Silencer ™ Noise Gate, or the Auto Swell volume swell effect.Values include: Gat Of (Turns the Noise Gate off), silNCR (Selects the Silencer™ Noise Gate) and swEl1 through swEl9 (Selects the Auto Swell volume swell effect.
• RP200’s Cabinet Emulator. See page 18 for more on selecting the Cabinet Emulator. NOTE: When using a guitar amp, it may be best to connect the guitar to the input of the RP200 and the Output of the RP200 to the effect return of the amplifier. Connect the other end of the PS0913B power supply to an AC outlet. 4.Turn the power of your amplifier(s) to the on position and adjust the volume(s)to a normal playing level. Gradually increase the RP200’s Master Level to achieve the desired volume.
Performance Mode When you first apply power to the RP200, it will power up in Performance mode. • Tuner Mode The Tuner in the RP200 allows you to quickly tune or check the tuning on your guitar.
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To use the Jam-A-Long feature, connect the headphone output of your tape or CD player to the Jam-A-Long Input on the rear panel of the RP200 using an 1/8” stereo cable, and press play on your tape or CD player. • (Wah) - The Expression Pedal acts as a Wah when the Wah Effect is engaged. A GAIN (Amp Gain) - Expression Pedal controls the Amp Gain or amount of distortion for the selected Amp Type. AMPLVL (Amp Level) - Expression Pedal controls the Volume of the selected Amp Type. AMOUNT (Amount) - Expression Pedal controls the Amount of the selected Effect Type. • 3.When the display shows RST?, release the Select button and press the Store button. The display will briefly read RESET indicating that the RP200 has reset the original factory settings.
A: You’ll need: • one of the following Digitech devices: RP200/200A, RP150, RP155, RP250, RP255, RP350, RP355, RP500, RP1000, or RP360/360XP • a microphone. We recommend the Audix Fireball V for use with this set. You’ll get the most out of the effects in your RP with a Fireball V.
It's also got a digital noise gate built in to cancel hissing from distortion effects, and works really well for recording, live performances, or jamming in your bedroom with the headphone output. It's got most of the effects that people into metal would want:Delay, compressor, wah, chorus, flanger, phaser, panner, tremelo, pitch-bender, whammy, harmonizer and several speaker-cab sims. This unit is probably ten or fifteen years old at least, and it's still a pretty decent effects unit, even today. This review was originally published on.
Patch Barracks Library
However, the RP500 and RP360/360XP sound very much like the 1000, they’re more portable and lower-priced, and they have the same amp models and FX as the RP1000. If you don’t need the amp loop or FX loop hardware functions the RP1000 offers, our recommendation to harp players is to buy either the RP360/360XP or RP500. (see for a discussion of the relative merits of the RP500 and RP355, and for a discussion of how we choose between the RP500 and RP360.) We definitely recommend the RP500 or RP360/360XP, followed by the RP355, above the RP255 and lower models, because: • they have better control for high treble frequencies, which is important for harp. • it has more amp, cabinet, and effect models, and some of these are great for harp. • the RP360XP and RP500′s onstage performance features are superior to the rest of the RP line.
Q: Can the patches be converted to work with other Digitech devices, like the RP80, RP200, or Vocal 300? A: Unfortunately, no. Digitech’s devices are pretty feature-specific, and there’s no automated way to convert from the RP150/155/250/255/350/355/500/1000 to other devices they offer.
YaYa™ (yaya) The YaYa™ is another effect exclusive to DigiTech products. Like the AutoYa™, it combines the characteristics of a wah and a flanger together providing a unique talk box type of effect, but is controlled by the Expression Pedal. • Level - The Parameter 3 knob controls the mix level of the AutoYa™.
Audition Patch Library
Look for dealers with good feedback who offer warranties, even short ones. In terms of functions and features, the RP1000 is the biggest and baddest device Digitech makes. However, it’s also Digitech’s largest and heaviest (10 pounds, 19.5 inches wide), least portable, and most expensive device, and its output is extremely hot, meaning that you need to be careful about setting the master volume level when you connect to an amp or PA.
Hi, I have an RP200. But last time I tried to connect its dc power supply to another pedal and since that it doesn't work any more. I would like to know if there is a way I could aquire another power supply or can I replace it with a similar kind? What is the correct power supply or adapter for the RP200? The RP200 requires a very specific power adapter. The adapter has an AC output rather than DC. The RP200 will NOT work with a standard DC adapter.
Before I had an (tube) that I sold because I wanted more effects, but if I had known 'Besides, if you find a used one, jump on it! That said, all is not black, some presets are not bad facts, its clear notament or some with a plethora of effects that can give ideas to compose. The 'learn a lick' (which allows to sample some songs, and then decrease speed without changing the pitch) is not bad either for bedding plans a bit too fast for my ears, the harmonizer utiiser is a galley, but the pitch shift is to sound '12 strings' or arpeggios. I found a way on an amp, for cons live console, big sound. Oh, I forgot, assigning the expression pedal, it must be good if we come to understand how it works! With a 30-page manual in french cons nearly 100 in angais, AC is not clear.